Candi Prambanan or Candi Rara
Jonggrang is a 9th-century Hindu temple compound in Centra Java, Indonesia,
dedicated to the Trimurti, the expression of God as the Creator (Brahma), the
Preserver (Vishnu) and the Destroyer (Shiva). The temple compound is located
approximately 18 kilometres (11 mi) east of the city of Yogyakarta on the
boundary between Central Java and Yogyakarta provinces.
The temple compound, a UNESCO
World Heritage Site, is the largest Hindu temple site in Indonesia, and one of
the biggest in Southeast Asia. It is characterized by its tall and pointed
architecture, typical of Hindu temple architecture, and by the towering 47-metre-high
(154 ft) central building inside a large complex of individual temples.
Prambanan attracts many visitors from across the world.
The Prambanan temple compound
amid the morning mist. Prambanan is the largest Hindu temple of ancient Java,
and the construction of this royal temple was probably started by Rakai Pikatan
as the Hindu Sanjaya Dynasty's answer to the Buddhist Sailendra Dynasty's
Borobudur and Sewu temples nearby. Historians suggest that the construction of
Prambanan probably was meant to mark the return of the Hindu Sanjaya Dynasty to
power in Central Java after almost a century of Buddhist Sailendra Dynasty
domination. Nevertheless, the construction of this massive Hindu temple
signifies that the Medang court had shifted the focus of its patronage from
Mahayana Buddhism to Shivaist Hinduism.
A temple was first built at the
site around 850 CE by Rakai Pikatan and expanded extensively by King Lokapala
and Balitung Maha Sambu the Sanjaya king of the Mataram Kingdom. According to
the Shivagrha inscription of 856 CE, the temple was built to honor Lord Shiva
and its original name was Shiva-grha (the House of Shiva) or Shiva-laya (the
Realm of Shiva).[4] According to Shivagrha inscription, a public water project
to change the course of a river near Shivagrha Temple was conducted during the
construction of the temple. The river, identified as the Opak River, now runs
north to south on the western side of the Prambanan temple compound. Historians
suggest that originally the river was curved further to east and was deemed too
near to the main temple. The project was done by cutting the river along a
north to south axis along the outer wall of the Shivagrha Temple compound. The
former river course was filled in and made level to create a wider space for
the temple expansion, the space for rows of pervara (complementary) temples.
Some archaeologists propose that
the statue of Shiva in the garbhagriha (central chamber) of the main temple was
modelled after King Balitung, serving as a depiction of his deified self after
death.[5] The present name Prambanan, was derived from the name of Prambanan
village where the temple stood, this name probably being the corrupted Javanese
pronunciation of "Para Brahman" ("The Supreme Brahman").
The temple compound was expanded
by successive Mataram kings such as Daksa and Tulodong with the addition of
hundreds of perwara temples around the chief temple. Prambanan served as the
royal temple of the Kingdom of Mataram, with most of the state's religious
ceremonies and sacrifices being conducted there. At the height of kingdom,
scholars estimate that hundreds of brahmins with their disciples lived within
the outer wall of the temple compound. The urban center and the court of
Mataram were located nearby, somewhere in the Prambanan Plain.
In the 930s, the court was
shifted to East Java by Mpu Sindok, who established the Isyana Dynasty. An
eruption of Mount Merapi volcano, located north of Prambanan in central Java,
or a power struggle probably caused the shift. That marked the beginning of the
decline of the temple. It was soon abandoned and began to deteriorate.
The temples themselves collapsed
during a major earthquake in the 16th century. Although the temple ceased to be
an important center of worship, the ruins scattered around the area were still
recognizable and known to the local Javanese people in later times. The statues
and the ruins become the theme and the inspiration for the Loro Jonggrang folktale.
After the division of Mataram Sultanate in 1755, the temple ruins and the Opak
River were used to demarcate the boundary between Yogyakarta and Surakarta
(Solo) Sultanates.
The ruins of Prambanan soon after
their rediscovery. The Javanese locals in the surrounding villages were aware
of the temple's existence already before rediscovery. However, they didn't know
about its historical background: which kingdoms ruled or which king
commissioned the construction of the monuments. As a result, the locals
developed tales and legends trying to explain the origin of temples, infused
with myths of giants, a cursed princess, and thus gave Prambanan and Sewu a
wondorous origin said to be created by multitude of demons under the order of
Bandung Bondowoso, according to Loro Jonggrang legend.
The temple officially caught the
international attention in early 19th century. In 1811 during Britain’s
short-lived rule of the Dutch East Indies, Colin Mackenzie, a surveyor in the
service of Sir Thomas Stamford Raffles, came upon the temples by chance.
Although Sir Thomas subsequently commissioned a full survey of the ruins, they
remained neglected for decades, with Dutch residents carting off sculptures as
garden ornaments and native villagers using the foundation stones for
construction material.
Half-hearted excavations by
archaeologists in the 1880s merely facilitated looting. Reconstruction of the
compound began in 1918, and proper restoration only in 1930. Efforts at
restoration continue to this day. The reconstruction of the main Shiva temple
was completed around 1953 and inaugurated by Sukarno. Since much of the
original stonework has been stolen and reused at remote construction sites,
restoration was hampered considerably. Shrines were only rebuilt if at least
75% of their original masonry was available. Most of the smaller shrines are
therefore now only visible in their foundations, with no plans for their
reconstruction existing.
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